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Sep. 25 2009 - 12:11 pm | 78 views | 1 recommendation | 4 comments

Arts Community Targeted During G20 Enforcement Sweeps

erin carey zany umbrella

Erin Carey, performing with the Zany Umbrella Circus.

On Wednesday night, Erin Carey — a 31-year-old aerialist/trapeze artist who performs with the Zany Umbrella Circus — found herself surrounded by law enforcement officers as she attempted to enter the circus’s studio space located in the Lawrenceville neighborhood of Pittsburgh. Some of the officers were Pittsburgh Police, others she couldn’t identify. Carey had just parked her car in front of the Lawrenceville Corporation offices on 43rd street, and began walking toward the Zany Umbrella studio when approximately a dozen officers approached her.

“They were converging on me,” Carey says. “It felt very intimidating.”

But why were police in the area? It turns out that Carnegie Mellon University (CMU) has a robotics lab — The National Robotics Engineering Center — just across the train tracks from where the Zany Umbrella studio space is located, and police were patrolling the site on a tip.

Police informed Carey the CMU lab was considered a “high-value target” and asked what she was doing in the area. She was then detained for nearly an hour while police questioned her; photographed the contents of her vehicle; and ran her vehicle plate and driver’s license. When her trapeze was spotted in the back seat of her vehicle, the commanding officer — whose name and badge number Carey forgot to request — asked if she was with the Greenpeace protesters who repelled from the West End Bridge earlier that day.

As the commanding officer continued questioning Carey, she asked, “Is there a problem officer? I work at this building and we have a space here.” According to Carey, the officer appeared agitated that she had asked why the police were interested in her. The officer then asked Carey to show them what was in her car. When she asked again if there was a problem, the officer asked if she “had something to hide,” adding that she was suspiciously parked in front of an abandoned building (i.e. the recently renovated Lawrenceville Corporation).

The commanding officer also told Carey she was suspicious because of the way she was dressed: “You aren’t exactly wearing jeans and a t-shirt.”

“What I was wearing,” Carey says, “was a tank top and leggings with a little jumper dress over it — because I was rehearsing earlier. Yeah, I didn’t have business attire on, but I don’t know why I should be targeted for that.”

After questioning Carey at length about the trapeze in the backseat of her car, police asked to see the Zany Umbrella studio “because they thought there were maybe people hiding out in our space.”

Carey briefly showed officers the studio space, and by this time another resident of the building had arrived and vouched for her story, then stayed with her for support. Carey wasn’t told what would be done with the photographs and information the police gathered — just that it would be put on file. As the police finished up with Carey, the commanding officer left her with a final warning: “If you show up at any of these [protest] events, I’ll hunt you down.”

On a related note, earlier in the week, the residence/workspace of the Cyberpunk Apocalypse Writers Collective — also located in Lawrenceville — was targeted. Full reports on that incident here and here. More to come…


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  1. collapse expand

    I’d argue the lesson here is not that “arts groups” are being targeted, but that police can use pretty much any excuse they want to target any person…

    Remember that Seeds of Peace was detained multiple times, for multiple hours — and eventually cited for parking on a curb. They’re not an arts group — they make free food for activists.

  2. collapse expand

    It seems that, perhaps, the police were so poised for troublemakers that for the most part didn’t materialize, that they were grasping for people to arrest. And, of course, we all know how many subversives began as trapeze artists.

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    I am a writer, editor, and blogger who lives and works in the once-decaying heart of America's Rust Belt (i.e. Pittsburgh, PA). My work focuses on subculture, crime, mental health, race, class, and creativity.

    My writing appears in Spin, Good, XLR8R, Next American City, RaceWire, and Swindle, among other print and online publications. I have reported on the decline of sampling in hip-hop; interviewed artists and musicians who survived Cambodia’s killing fields; investigated the struggles of U.S. military veterans suffering from post-traumatic stress disorder; and shadowed graffiti writers, coaxing candid confessions about their obsession with illegal art.

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