History has proven me right on ‘Cop Rock’
Remember Cop Rock?
It was 20 years ago that magnificent show debuted on ABC, created by wonder boy Steven Bochco, whose Hill Street Blues had revolutionized police drama.
This time he’d fling the form into yet another new dimension: the NYPD would not just bust perps but sing and dance while doing so. Juries would rise up and proclaim, “He’s Guilty!” in a joyous gospel shout.
I loved it. I thought it was great.
Everyone else—every single other living person in the entire world—thought it sucked. Protests broke out in Chad. The Uzbeks were enraged. Bhutan declared war. (fortunately no one noticed)
Said the entire world as one:
Law-enforcement personnel who suddenly burst into song? Why, that’s unrealistic. It strains credulity. Such things do not happen in real life. My puny, pea-sized imagination can’t handle it. Please, you’re making my head hurt.
Cop Rock was taken out and shot. No way it could be allowed to sully a distinguished network schedule that featured such blue-ribbon fare as Jake and the Fatman, Doogie Howser, MD and Beverly Hills 90210. It became a legendary, iconic symbol of overreaching hubristic loserliness like Heaven’s Gate, Ishtar (also underrated), General Custer (not underrated), Titanic (the ship, not the movie, which is overrated) and George W. Bush.
But now look.
Cop Rock’s influence is all over the tube.
Without warning, characters burst into six-part harmony or trombone solos on Glee and Treme and now there is TNT’s new Memphis Beat, a not-bad-but-I-doubt-if-I’ll-bother-watching-it-again cop show starring a police detective who moonlights as an Elvis tribute singer (not to be confused with an Elvis impersonator).
And there is more to come. The Cop Rock revolution is under way. Its legacy rules. As Christopher Hitchens would (and often does) say: I was right. They were wrong.
Here are just a few of the Cop Rock-inspired shows on the fall schedule:
Glasgow Plaid: Arthur Macarthur manages the fast-food joint Haggis Hut but his heart is in his hobby, leading the city’s auxiliary police bagpipe squad, which tries to keep bagpipers from frightening the tourists. He’s desperately in love with a homeless piper, Mary Macfraggis, who spurns him and rejects, usually in ballad form, his gifts of smoked salmon.
Twang: Taking advantage of the rich bluegrass ambience of Kentucky, Twang focuses on the colorful denizens of Lexington’s Twangley neighborhood, who strum banjoes all the livelong day, drink too many mint juleps at night and express folksy angst at all times.
Jo Blow: The first season focuses on tensions simmering within the Johannesburg Philharmonic after its fiery conductor dares to flout convention and adds a vuvuzela section to the orchestra.
Bowery Boys: A star-studded nostalgia tribute to New York in the ‘80s. Lady Gaga is Madonna, Justin Bieber is Joey Ramone, William Shatner is Donald Trump.
We Have Reservations: Five teenage brothers living on a Navajo reservation form an alternative punk band despite the opposition of their traditionalist father who regards any instrument other than the tom-tom as sacrilegious.


















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